Fast paced dialogue plus a convoluted story full of intrigue, keeps the audience alert and on the edge of their seats, while watching the Genesian Theatre’s latest production. Charles Morey’s “Figaro”, is an adaptation of “Le Mariage de Figaro”, based on the play written in 1778 by Beaumarchais, which was initially banned by the censors due to criticism of the French aristocracy and gave voice to the growing revolutionary thinking of the era.
Directed by Shane Bates and with costumes designed by Susan Carveth, “Figaro” is set in late 18th century Spain and highlights the difference in the class structure of the day. The action evolves around Figaro, Count Almaviva’s man servant, who is engaged to Suzanne, the maidservant to the Countess. The mayhem arises when the Count, who has been married for three years, will not sign the marriage contract allowing Figaro and Suzanne’s marriage to go ahead, as he has his own plans for Suzanne.
Suzanne and the Countess are dubious of the Figaro-ian scheme to persuade the Count of his love for the Countess and decide to take matters into their own hands. Mistaken identities and broken promises follow, along with a love sick page, a birthmark in the shape of a spatula and plenty of doors and letters.
Ted Crosby as Figaro plays the role with a gifted comedic touch, while Yasmin Arkinstall as Suzanne is the perfect foil to carry off the madcap happenings.
“Figaro” is currently playing at the Genesian Theatre, 420 Kent Street, Sydney until 14 October 2017. Friday & Saturday nights at 7.30pm with a Sunday matinée at 4.30pm.